A new exhibition is shining a spotlight on Enid Marx, the pioneering British textile designer whose bold patterns transformed the look of London Underground trains and left a lasting mark on modern British design.

Opening at Compton Verney in Warwickshire, The Pattern of Life: Enid Marx and Modern British Design explores the artist’s remarkable career and celebrates her influence on public transport, textiles, illustration, and industrial design.

In 1937, Marx was commissioned by the London Passenger Transport Board to redesign the moquette fabric used on Tube seats. At a time when carriage interiors featured dull brown and grey fabrics, she introduced vibrant geometric patterns that were both visually striking and practical, helping disguise wear and dirt while creating a brighter atmosphere for commuters.

Her iconic "Shield" pattern, inspired by African art and museum collections, became one of the most recognizable designs in London Transport history. The exhibition also examines how Marx drew inspiration from global artistic traditions while helping shape the evolution of modern British design.

Beyond her work for the Underground, Marx produced block-printed textiles, book illustrations, wallpaper, fabrics, and postage stamp designs. During the Second World War, she contributed to Britain's Utility Scheme by creating affordable, high-quality textile patterns for families rebuilding their homes.

The exhibition also highlights Marx's personal life and long partnership with historian Margaret Lambert, as well as the extensive collection of folk art and everyday objects they assembled together. Curators hope the exhibition will restore recognition to an artist whose achievements have often been overlooked despite her significant contribution to British culture and design.

Running through a collection of more than 160 works, the exhibition offers visitors a comprehensive look at the creativity, innovation, and enduring legacy of one of Britain's most influential designers.